Unveiling the paint stratigraphy and technique of Roman African polychrome statues

Author:

Neri ElisabettaORCID,Alfeld Matthias,Nasr Nesrine,de Viguerie Laurence,Walter Philippe

Funder

H2020 Marie Skłodowska-Curie Actions

Publisher

Springer Science and Business Media LLC

Subject

Archeology,Anthropology,Archeology

Reference34 articles.

1. Abbe M (2015) Polychromy. In: Friedland EA, Grunow Sobocinski M, Gazda EK (eds) The Oxford Handbook of Roman Sculpture. Oxford University Press, New York, pp 173–188

2. Abbe M, Şare Ağtürk T (2019) The new corpus of painted Imperial Roman marble reliefs from Nicomedia: a preliminary report on polychromy. Technè 48:100–109

3. Abbe M (2010) Recent research on the painting and gilding of Roman marble statuary at Aphrodisias. In: Brinkmann V, Primavesi O, Hollein M (eds) Circumlitio. The polychromy of Antique and Mediaeval sculpture (Proceedings of the Johann David Passavant colloquium, München, 10–12 December 2008). Hirmer, Munich, pp 277–289

4. Aggelakopoulou E, Bakolas A (2022) What were the colors of the Parthenon? Investigation of the entablature’s cornice blocks. J Archaeol Sci 140:105553. https://doi.org/10.1016/j.jas.2022.105553

5. Alfeld M, Mulliez M, Martinez P, Cain K, Jockey P, Walter P (2017) The Eye of the Medusa: XRF imaging reveals unknown traces of antique polychromy. Anal Chem 89:1493–1500. https://doi.org/10.1021/acs.analchem.6b03179

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