1. On collage/montage as the key concept of post-modernism, and on Derrida as collagist, see Ulmer, “The Object of Post-Criticism,” in The Anti-Aesthetic: Esssay on Postmodern Culture, (ed.) H. Foster, 1983.
2. R. Venture, Complexity and Condradiction in Architecture, 16, 1966.
3. Gabel & Kennedy, “Roll Over Beethoven,” Stan. L. Rev., 36, 1, 1984:9.
4. J. L. Borges, “The Lottery in Babylon,” Fictions, 1956.
5. Carrington, “Of Law and the River,” J. Legal Educ., 34, 1984:222.