From Lessons Learned to Real-life Performances of Cultural Capital and Habitus

Author:

Lorick-Wilmot Yndia S.

Publisher

Springer International Publishing

Reference39 articles.

1. Banks, P. A. (2012). Represent: Art and Identity Among the Black Upper-Middle Class. New York: Routledge.

2. Bérubé, A. (2011). How Gay Stays White and What Kind of White it Says. In A. Bérubé, J. D’Emilio, & E. Freedman (Eds.), My Desire for History: Essays in Gay, Community and Labor History (pp. 202–230). Chapel Hill: University of North Carolina Press.

3. Bettie, J. (2003/2014). Women Without Class: Girls, Race, and Identity. Berkeley: University of California Press.

4. Brereton, B. (1999). The Promise of Emancipation. In B. Brereton & K. Yelvington (Eds.), The Colonial Caribbean in Transition: Essays on Post-Emancipation Social and Cultural History (p. Introduction). Kingston: University of West Indies Press.

5. DiMaggio, P. (1982). Cultural Capital and School Success: The Impact of Status Culture Participation on the Grades of U.S. High School Students. American Sociological Review, 47, 180–201.

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