Change and Continuity in Sound Analysis: A Review of Concepts in Regard to Musical Acoustics, Music Perception, and Transcription-Reference-Cited by-同舟云学术

Change and Continuity in Sound Analysis: A Review of Concepts in Regard to Musical Acoustics, Music Perception, and Transcription

Published:2013 Issue: Volume: Page:71-111
ISSN:2196-6966
Container-title:Current Research in Systematic Musicology
language:
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Author:

Schneider Albrecht

Publisher

Springer International Publishing

Link

http://link.springer.com/content/pdf/10.1007/978-3-319-00107-4_3

Reference144 articles.

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2. Arfib, D., Keiler, F., & Zölzer, U. (2002). Source-Filter Processing. In U. Zölzer (Ed.), DAFX. Digital Audio Effects (pp. 299–372). Chichester: Wiley.

3. Backhaus, H. (1932). Über die Bedeutung der Ausgleichsvorgänge in der Musik. Zeitschrift für technische Physik, 13, 31–46.

4. Backus, J. (1963). Acoustical investigations of the clarinet. Sound, 2, 22–25.

5. Bader, R. (2002). Fraktale Dimensionen, Informationsstrukturen und Mikrorhythmik der Einschwingvorgänge von Musikinstrumenten. Ph.D. dissertation, University of Hamburg.

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