The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers-Reference-Cited by-同舟云学术

The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers

Published:2018 Issue: Volume: Page:191-206
ISSN:
Container-title:European Film and Television Co-production
language:
Short-container-title:

Author:

Cucco Marco

Publisher

Springer International Publishing

Link

http://link.springer.com/content/pdf/10.1007/978-3-319-97157-5_11

Reference18 articles.

1. AGCOM. 2017. Relazione Annuale 2017. Accessed October 9. https://www.agcom.it/documents/10179/8078012/RELAZIONE+ANNUALE+2017_documento+completo.pdf/2021e7ba-8250-4239-9a46-5d82fdbf702c?version=1.0 .

2. Álvarez-Monzoncillo, José, Antonio Baraybar-Frenández, and Javier López-Villanueva. 2015. Audiovisual Production in Spain. Fewer Resources, Same Problems, New Challenges. Economia della cultura 25 (2): 211–222.

3. Cucco, Marco. 2013. From the State to the Regions: The Devolution of Italian Cinema. Journal of Italian Cinema & Media Studies 1 (3): 263–277.

4. ———. 2017. The Vertical Axis of Film Policies in Europe: Between Subsidiarity and Local Anarchy. In Reconceptualising Film Policies, ed. Nolwenn Mingant and Cecilia Tirtaine, 263–275. New York: Routledge.

5. Cucco, Marco, and Giacomo Manzoli, eds. 2017. Il cinema di Stato. Finanziamento pubblico ed economia simbolica nel cinema italiano contemporaneo. Bologna: Il Mulino.

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