1. Beauchamp, J. W. and Fornango, J. P. (1966). “Transient Analysis of Harmonic Musical Tones by Digital Computer,” 31st Convention of the Audio Eng. Soc., New York, Audio Eng. Soc. Preprint No. 479.
2. Beauchamp, J. W. (1969). “A Computer System for Time-Variant Harmonic Analysis and Synthesis of Musical Tones,” in Music by Computers, H. von Foerster and J. W. Beauchamp, eds. (J. Wiley & Sons, New York), pp. 19–62.
3. Beauchamp, J. W. (1975). “Analysis and Synthesis of Cornet Tones Using Nonlinear Interharmonic Relationships,” J. Audio Eng. Soc., 23(10), 778–795.
4. Beauchamp, J. W. (1993). “Unix Workstation Software for Analysis, Graphics, Modification, and Synthesis of Musical Sounds,” 94th Convention of the Audio Eng. Soc., Berlin, Audio Eng. Soc. Preprint No. 3479.
5. Beauchamp, J. W., Maher, R. C., and Brown, R. (1993). “Detection of Musical Pitch from Recorded Solo Performances,” 94th Convention of the Audio Eng. Soc., Berlin, Audio Eng. Soc. Preprint No. 3541.