Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular

Author:

Balestrini Nassim Winnie

Publisher

Springer International Publishing

Reference46 articles.

1. Balestrini, Nassim Winnie. 2018. Intermedial on/offstage auto/biography: Lin-Manuel Miranda’s Hamilton, hip hop, and historiography. In Intermediality and life writing, ed. Nassim W. Balestrini and Ina Bergmann, 210–231. Berlin: DeGruyter.

2. ———. 2019. The intermedial poetry of rap: Words, sounds, and music videos. In Poem unlimited: New perspectives on poetry and genre, ed. David Kerler and Timo Müller, 240–253. Berlin: De Gruyter.

3. Bennett, Andy, Barry Shank, and Jason Toynbee. 2006. Introduction. In The popular music studies reader, ed. Andy Bennett, Barry Shank, and Jason Toynbee, 1–7. London/New York: Routledge.

4. Bradley, Adam. 2009. Book of rhymes: The poetics of hip hop. New York: Basic Civitas/Perseus/Hachette.

5. Chapin, Keith, and Andrew H. Clark. 2013. Speaking of music: A view across disciplines and a lexicon of topoi. In Speaking of music: Addressing the sonorous, ed. Keith Chapin and Andrew H. Clark, 1–18. New York: Fordham UP.

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