Why Not Call a Spade a Spade? Unpacking Paul Matavire’s Gender Philosophy

Author:

Saidi Umali

Publisher

Springer International Publishing

Reference24 articles.

1. Anonymous. (2012). I’ve just been shaken – Paul Matavire a few days before his death. Retrieved September 27, 2020, from http://intimatemomentswithzimmusicians.blogspot.com/2012/02/ive-just-been-shaken-paul-matavire-few.html

2. Chikowero, M. (2008). “Our people father, they haven’t learned yet”: Music and postcolonial identities in Zimbabwe, 1980–2000. Journal of Southern African Studies, 34(1), 145–160.

3. Chisa, K. D., & Ngulube, P. (2017). Indigenous music goes digital: Reconciling culture and the law. Mousaion: South African Journal of Information Studies, 37(4), 1–18.

4. Chitando, A., & Chitando, E. (2008). Songs of pain and hope: HIV and AIDS in Zimbabwean music. Muziki: Journal of Music Research in Africa, 5(1), 62–74.

5. Emielu, A. (2011). Some theoretical perspectives on African popular music. Popular Music, 30(3), 371–388. https://doi.org/10.1017/S0261143011000249

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