Decolonising Performance Training: Voice Messages from the South African Day to the Australian Night

Author:

French ClaireORCID,Mkhize Sibusiso

Publisher

Springer International Publishing

Reference35 articles.

1. Auslander, P. (2012). Digital Liveness: A Historico-Philosophical Perspective. PAJ: A Journal of Performance and Art, 34(3), 3–11. http://www.jstor.org/stable/26206427

2. Balme, C.B. (1999). Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford Academic.

3. Bharucha, R. (2013, September 17). Palestra com Rustom Bharucha (India)—ECUM 2013 [video]. YouTube. https://www.youtube.com/watch?v=gkgmvNZ4n4M.

4. Ebewo, P. (2011). Transformation and the drama studies curriculum in South Africa: A survey of selected universities. In K. Igweonu (Ed.), Trends in twenty-first-century African theatre and performance (pp. 113–138). Brill.

5. Fischer-Lichte, E. (2008). The transformative power of performance: A new aesthetics. Routledge.

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