Louis de Funès as Gendarme: Comic Incongruity and Self-Reflexive Music in the Golden Age of French Comedies (1964–80)
Author:
Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-031-33422-1_36
Reference26 articles.
1. Baumgartner, Michael. 2022. Metafilm Music in Jean-Luc Godard’s Cinema. The Oxford Music/Media Series. New York: Oxford University Press.
2. Bruno, Isabelle, and Grégory Salle. 2018. ‘“Before Long There Will Be Nothing But Billionaires!” The Power of Elites over Space on the Saint-Tropez Peninsula’. Socio-Economic Review 16, no. 2: 435–58.
3. Cavell, Stanley. 1979. The World Viewed: Reflections on the Ontology of Film. Harvard Film Studies, Cambridge, MA: Harvard University Press.
4. Chion, Michel. 2019. Audio-Vision: Sound on Screen. Edited and translated by Claudia Gorbman. New York: Columbia University Press.
5. Cooke, Mervyn. 2020. ‘A Bridge Too Far?: Music in the British War Film, 1945–80’. In Music, Memory, Nostalgia and Trauma in European Cinema after the Second World War, edited by Michael Baumgartner and Ewelina Boczkowska, Music and Sound on the International Screen. New York: Routledge, 86–107.
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