Deconstructing Audiences’ Experiences

Author:

Walmsley Ben

Publisher

Springer International Publishing

Reference61 articles.

1. Alston, A. 2016. Beyond immersive theatre: Aesthetics, politics and productive participation. London, Palgrave Macmillan.

2. Auslander, P. 2008. Liveness: Performance in a mediatized culture. 2nd ed. Oxon, Routledge.

3. Bakhshi, H. and Whitby, A. 2014. Estimating the impact of live simulcast on theatre attendance: An application to London’s National Theatre. London, Nesta.

4. Barker, M. 2013. ‘Live at a cinema near you’: How audiences respond to digital streaming of the arts. In: Radbourne, J., Glow, H. and Johanson, K. (eds.) The audience experience: A critical analysis of audiences in the performing arts. Bristol, Intellect, pp. 15–34.

5. Belfiore, E. and Bennett, O. 2008. The social impact of the arts: An intellectual history. Basingstoke, Palgrave Macmillan.

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