Space for the Unexpected: Serendipity in Immersive Theatre

Author:

Turner Rose,Kasperczyk Hayley

Publisher

Springer International Publishing

Reference66 articles.

1. Abramović, M. (1974). Rhythm 0 by M. Abramović [Performance art production]. Studio Morra, Naples.

2. Adam, H. & Galinsky, A. D. (2012). Enclothed cognition. Journal of Experimental Social Psychology, 48, 918–925. https://doi.org/10.1016/j.jesp.2012.02.008

3. Alston, A. (2013). Audience participation and neoliberal value: Risk, agency and responsibility in immersive theatre. Performance Research, 18, 128–138. https://doi.org/10.1080/13528165.2013.807177

4. A Sky Filled with Shooting Stars. (2010, March 10). “The knife is real, the blood is real, and the emotions are real.” —Robert Ayers in conversation with Marina Abramović. http://www.askyfilledwithshootingstars.com/wordpress/?p=1197

5. Barker, C. (2004). Sage dictionary of cultural studies. Sage.

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