Participatory Belonging: How Tourist Music Workshops Establish Trans-Local Music Scenes
Author:
Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-031-08615-1_12
Reference22 articles.
1. Bennett, A., and R.A. Peterson, eds. 2004. Music scenes: Local, translocal, and virtual. Nashville: Vanderbilt University Press.
2. Bennett, A., B. Green, D. Cashman, and N. Lewandowski. 2020. Researching regional and rural music scenes: Toward a critical understanding of an under-theorized issue. Popular Music and Society 43 (4): 367–377.
3. Bolderman, L. 2020. Contemporary music tourism: A theory of musical topophilia. New York: Routledge.
4. Connell, J., and C. Gibson. 2003. Sound tracks: Popular music, identity, and place. New York: Routledge.
5. Dowd, T., K. Liddle, and J. Nelson. 2004. Music festivals as scenes: Examples from serious music, womyn’s music and skatepunk. In Music scenes: Local, translocal, and virtual, ed. A. Bennett and R.A. Peterson, 149–167. Nashville: Vanderbilt University Press.
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