The Dictator’s Daughter and the Rising Sun: Scars of Colonialism in South Korean Cinema During the Park Geun-hye Era

Author:

Edwards Russell

Publisher

Springer International Publishing

Reference39 articles.

1. An, Jinsoo. 2018. Parameters of Disavowal: Colonial Representation in South Korean Cinema. Oakland: University of California Press.

2. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffen. 1991. The Empire Writes Back: Theory and Practice in Post-colonial Literatures. London: Routledge.

3. Blake, Linnie. 2008. The Wounds of Nation: Horror Cinema, Historical Trauma and National Identity. Manchester: Manchester University Press.

4. Choe, Sang-hun. 2015. “Japan and South Korea Settle Dispute Over Wartime ‘Comfort Women.’” The New York Times, December 28. Accessed May 15, 2019. https://www.nytimes.com/2015/12/29/world/asia/comfort-women-south-korea-japan.html.

5. Gateward, Frances. 2007. “Waiting to Exhale: The Colonial Experience and the Trouble with My Own Breathing.” In Seoul Searching: Culture and Identity in Contemporary Korean Cinema, edited by Frances Gateward, 191–218. New York: State University of New York Press.

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