1. Auslander, Philip. 2006. ‘The Performativity of Performance Documentation’. Performing Arts Journal 84: 1–10.
2. Bean, Christine Simonian. 2016. ‘Sticky Performances; Affective Circulation and Material Strategy in the Chocolate Smearing of Karen Finley’. Theatre Survey 57, no. 1: 88–108.
3. Berger, Maurice. 1999a. ‘The Critique of Pure Racism: An Interview with Adrian Piper’. In Adrian Piper: A Retrospective, edited by Adrian Piper, Maurice Berger, and Jean Fisher, 76–98. Baltimore: Fine Arts Gallery, University of Maryland Baltimore County.
4. Berger, Maurice. 1999b. ‘Styles of Radical Will: Adrian Piper and the Indexical Present’. In Adrian Piper: A Retrospective, edited by Adrian Piper, Maurice Berger, and Jean Fisher, 2–32. Baltimore: Fine Arts Gallery, University of Maryland Baltimore County.
5. Bowles, John P. 2007. ‘“Acting Like a Man”: Adrian Piper’s Mythic Being and Black Feminism in the 1970s’. Signs 32, no. 3: 621–48.