Performing the Nation State: Female Representation in Nineteenth-Century American Theatre and the American Cultural Imagination-Reference-Cited by-同舟云学术

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Performing the Nation State: Female Representation in Nineteenth-Century American Theatre and the American Cultural Imagination

Published:2019 Issue: Volume: Page:251-279
ISSN:
Container-title:The Palgrave Handbook of the History of Women on Stage
language:
Short-container-title:

Author:

Cobrin Pam

Publisher

Springer International Publishing

Link

http://link.springer.com/content/pdf/10.1007/978-3-030-23828-5_12

Reference53 articles.

1. Aiken, George L. 1852. Uncle Tom’s Cabin; or, Life Among the Lowly. N.P. (Reprinted 1853, 1858. New York: Samuel French).

2. Anon. (‘A Lady’). 1819. Catherine Brown, the Converted Cherokee a Missionary Drama, Founded on Fact. New-Haven, CT: S. Converse.

3. Barker, James Nelson. 1808. The Indian Princess; or, La Belle Sauvage an Operatic Melo-Drame Philadelphia: Printed by T. & G. Palmer, for G. E. Blake.

4. Barnard, Charles, and Neil Burgess. c.1922. The County Fair: A Comedy in Four Acts. New York: Samuel French.

5. Barnes, Charlotte Mary Sanford. 1844. The Forest Princess, or, Two Centuries Ago an Historical Play in Three Parts. Philadelphia: E. H. Butler.

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