Paratexts and Reception: Images of Theme Parks in Art, Popular Culture, and Discourse

Author:

Anton Clavé Salvador,Carlà-Uhink Filippo,Freitag Florian

Publisher

Springer International Publishing

Reference56 articles.

1. Auster, Carol J., and Margaret A. Michaud. 2013. The Internet Marketing of Disney Theme Parks: An Analysis of Gender and Race. SAGE Open 3.1: 1–16. https://doi.org/10.1177/2158244013476052. Accessed 28 Aug 2022.

2. Banksy. 2015. I Think a Museum Is a Bad Place to Look at Art. The Guardian, August 21. http://www.theguardian.com/artanddesign/2015/aug/21/banksy-dismaland-art-amusements-and-anarchism?CMP=twt_gu. Accessed 28 Aug 2022.

3. Bastianello, Riccardo. 2019. Italy’s Venice to Charge Admission Fees for Tourists. Reuters UK Online, February 27. https://uk.reuters.com/article/uk-italy-venice/italys-venice-to-charge-admission-fees-for-tourists-idUKKCN1QG1F4. Accessed 27 July 2020.

4. Berman, Eliza. 2014. Wes Anderson Might Create a Theme Park with Devo’s Mark Mothersbaugh. Time, November 4. https://time.com/3556593/wes-anderson-mark-mothersbaugh-theme-park/. Accessed 28 Aug 2022.

5. Bouzarth, Liz, John Harris, and Kevin Hutson. 2014. Math and the Mouse. Math Horizons 22 (2): 12–14.

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