Introduction: Immersion as ‘Perceptual Embodiment’

Author:

Jarvis Liam

Publisher

Springer International Publishing

Reference137 articles.

1. Aarseth, Espen. 1997. Cybertext: Perspectives on Ergodic Literature. London: John Hopkins University Press.

2. Alston, Adam. 2016a. Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. London: Palgrave Macmillan.

3. ———. 2016b. The Promise of Experience: Immersive Theatre in the Experience Economy. In Reframing Immersive Theatre, ed. James Frieze, 243–264. London: Palgrave Macmillan.

4. Annese, Jacopo, et al. 2014. Postmortem Examination of Patient H.M.’s Brain Based on Histological Sectioning and Digital 3D Reconstruction. Nature. Uploaded 28 January. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3916843/pdf/ncomms4122.pdf . Accessed 31 May 2015.

5. Banakou, Domna, Raphaela Groten, and Mel Slater. 2013. Illusory Ownership of a Virtual Child Body Causes Overestimation of Object Sizes and Implicit Attitude Changes. Proceedings of the National Academy of Sciences of the United States of America 110 (31): 12846–12851.

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