Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear the Grass Grow”

Author:

Horton Ian,Gray Maggie

Publisher

Springer International Publishing

Reference61 articles.

1. Andersson, Fred. 2019. Abstraction and Comics from a Semiotic Point of View. In Abstraction and Comics. Bande Dessinée et Abstraction, eds. Aarnoud Rommens et al, pp. 371–396. Volume I. Presses Universitaires de Liège.

2. Ayres, Jackson. 2016. Introduction: Comics and Modernism. Journal of Modern Literature 39:2, pp. 111–114. DOI https://doi.org/10.2979/jmodelite.39.2.08

3. Ball, David. 2010. Comics Against Themselves: Chris Ware’s Graphic Narratives as Literature. In The Rise of the American Comics Artist: Creators and Contexts, eds. Paul Williams and James Lyons, pp. 103–123. Jackson: University Press of Mississippi.

4. Beaty, Bart. 2007. Unpopular Culture: Transforming the European Comic Book in the 1990s. Buffalo and London: University of Toronto Press.

5. Beaty, Bart. 2012. Comics Versus Art. Toronto, Buffalo, London: University of Toronto Press.

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