SVOD Production in East-Central Europe: Understanding the ‘Streamer Imaginaries’ of Independent Producers
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Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-031-42182-2_11
Reference41 articles.
1. Batori, A. 2018. The Birth of the Post- Socialist Eastern European Televisual Collectivehood: Crime and Patriarchy in Shadows [Umbre, 2014–]. AM Journal of Art and Media Studies 17: 37–48.
2. Caldwell, J.T. 2008. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham: Duke University Press.
3. ———. 2023. Specworld: Folds, Faults, and Fractures in Embedded Creator Industries. Los Angeles: University of California Press (TBP).
4. Cieślak. 2022. Netflix stawia na Polskę. Rzeczpospolita, 29 March. https://www.rp.pl/kultura/art35964721-netflix-stawia-na-polske. Accessed 25 July 2022.
5. Cunningham, S., and D. Craig. 2021a. Introduction. In Creator Culture: An Introduction to Global Social Media Entertainment, ed. S. Cunningham and D. Craig, 1–20. New York: New York University Press.
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