How to Interprete Early Recordings? Artefacts and Resonances in Recording and Reproduction of Singing Voices-Reference-Cited by-同舟云学术

How to Interprete Early Recordings? Artefacts and Resonances in Recording and Reproduction of Singing Voices

Published:2019 Issue: Volume: Page:335-350
ISSN:2196-6966
Container-title:Current Research in Systematic Musicology
language:
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Author:

Kob Malte,Weege Tobias A.

Publisher

Springer International Publishing

Link

http://link.springer.com/content/pdf/10.1007/978-3-030-02695-0_16

Reference20 articles.

1. Brock-Nannestad G (1981) Zur Entwicklung einer Quellenkritik bei Schallplattenaufnahmen. Musica 35:76–81

2. Brock-Nannestad G (1997) The objective basis for the production of high quality transfers from pre-1925 sound recordings. In: Audio engineering society convention, vol 103

3. Copeland P (2008) Manual of analogue sound restoration techniques. The British Library

4. Dromey C, Carter N, Hopkin A (2003) Vibrato rate adjustment. J Voice 17(2):168–178

5. Hähnel T (2018) Über die Quantifizierung des Heldentenors. Vibrato, Ornamentik, Glissando, Tempo und Register in akustischen Tonaufnahmen zwischen 1900 und 1925. In: Beiträge zur Tagung der Gesellschaft für Musikforschung. Oldenburg (2018) (Accepted talk and paper)

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1. In Search of the “Phonograph Effect”: Sonic Gestures in Violin Performance and Their Modification by Early Recording and Playback Devices (1901–1933);Music & Science;2024-01

2. Technische Medien als Interpreten;Geschichte der musikalischen Interpretation im 19. und 20. Jahrhundert, Band 3;2023

3. Voices that Matter?;Historical Reflections/Réflexions Historiques;2021-03-01