New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-Fulfillment in Mainstream Hindi Cinema
Author:
Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-031-16700-3_6
Reference38 articles.
1. Anwer, Megha, and Anupama Arora. 2020. # ImNotAChickFlick: Neoliberalism and Post-feminism in Veere Di Wedding. BioScope: South Asian Screen Studies 11 (2): 146–168.
2. Bose, Brinda. 2011. Of Displaced Desires: Interrogating ‘New’ Sexualities and ‘New’ Spaces in Indian Diasporic Cinema. In New Femininities, ed. Rosalind Gill and Christina Scharff, 161–172. London: Palgrave Macmillan.
3. Butler, Judith. 2002. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
4. Chakraborty, Gauri D. 2017. Women Centric Cinema and Emergence of the Female Protagonist in Bollywood. Mass Communicator: International Journal of Communication Studies 11 (4): 36–40.
5. Chatterjee, Tupur. 2014. Size Zero Begums and Dirty Pictures: The Contemporary Female Star in Bollywood. Synoptique 3 (1): 4–29.
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