Afterword: Playing, Winning, and Losing the Game of Thrones—Reflections on Female Succession in George R.R. Martin’s A Song of Ice and Fire and Game of Thrones in Comparison to the Premodern Era

Author:

Woodacre Elena

Publisher

Springer International Publishing

Reference36 articles.

1. Ager, Sheila L. “The Power of Excess: Royal Incest and the Ptolemaic Dynasty.” Anthropologica 48.2 (2006), 165–86.

2. Alesi, Danielle. “The Power of Sansa Stark: Female Agency in Late Medieval England” in Game of Thrones versus History: Written in Blood edited by Brian A. Pavlac, Hoboken, NJ: Wiley Blackwell, 2017, 161–170.

3. Andrews, Rachel. “Sansa Stark’s Final Game of Thrones Costume is Full of Hidden Meanings” Pretty 52 http://www.pretty52.com/entertaining/tv-and-film-sansa-starks-final-game-of-thrones-outfit-is-full-of-hidden-meaning-20190521?source=facebook&fbclid=IwAR2l9SDDr_mPwOnOo0Zs-APuw0OxSksvzOhuFGCaIL9itc2pPyenaqQx9B8 , accessed May 21, 2019.

4. Beaton, Elizabeth. “Female Machiavellians in Westeros.” In Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements edited by Anne Gjelsvik and Rikke Schubart, London: Bloomsbury, 2016, 193–218.

5. Belinson, Orel. “Female Rule in Imperial Russia: Is Gender a Useful Category of Historical Analysis?” In A Companion to Global Queenship edited by Elena Woodacre, Bradford: ARC Humanities Press, 2018, 79–93.

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