Linearity in Popular Song
Author:
Publisher
Springer International Publishing
Link
http://link.springer.com/content/pdf/10.1007/978-3-030-18099-7_5
Reference44 articles.
1. Adlington, Robert. 2003. Moving Beyond Motion: Metaphors for Changing Sound. Journal of the Royal Music Association 128 (2): 297–318.
2. Agawu, Kofi. 1988. Concepts of Closure and Chopin’s Opus 28. Music Theory Spectrum 9 (1): 1–17.
3. Attas, Robin. 2015. Form as Process: The Buildup Introduction in Popular Music. Music Theory Spectrum 37 (2): 275–296.
4. Beach, David. 1993. Schubert’s Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure. Music Theory Spectrum 15 (1): 1–18.
5. Berger, Karol. 1996. The Form of Chopin’s “Ballade,” Op. 23. 19th-Century Music 20 (1): 46–71.
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