1. Acheson, James. Samuel Beckett’s Artistic Theory and Practice: Criticism, Drama and Early Fiction. London: Macmillan, 1997.
2. Adar, Einat. “From Irish Philosophy to Irish Theatre: The Blind (Wo)Man Made to See”, Estudios Irlandeses 12, 2007, 1–11.
3. Aslan, Odette. Roger Blin and Twentieth-Century Playwrights, trans. Ruby Cohn. Cambridge: Cambridge University Press, 1988.
4. Asmus, Walter. “Practical Aspects of Theatre, Radio and Television: Rehearsal Notes for the German Première of Beckett’s That Time and Footfalls at the Schiller-Theater Werkstatt, Berlin”, trans. Helen Watanabe, Journal of Beckett Studies 2, 1977, 82–95.
5. Atkinson, Brooks. “Beckett’s Endgame”, The New York Times, 29 January 1958, https://archive.nytimes.com/www.nytimes.com/books/97/08/03/reviews/beckett-endgame.html