“I am all the daughters of my father’s house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night

Author:

Brinkman Eric

Publisher

Springer International Publishing

Reference19 articles.

1. Bakare, Lanre. “UK theatres promise to only Cast Trans Actors in Trans Roles.” The Guardian, May 26 2021, https://www.theguardian.com/stage/2021/may/26/uk-theatres-promise-to-only-cast-trans-actors-in-trans-roles. Accessed 30 July 2021.

2. Bowie-Sell, Daisy. “What’s it like for a man to play Ophelia?” WhatsOnStage.com, May 16 2018, https://www.whatsonstage.com/london-theatre/news/ophelia-as-a-man-hamlet-shakespeare-globe_46579.html. Accessed 1 September 2021.

3. Bruns, John. “Laughter in the Aisles: Affect and Power in Contemporary Theoretical and Cultural Discourse.” Studies in American Humor 3.7 (2000): 5–23.

4. Bulman, James C., ed. Shakespeare Re-Dressed: Cross-Gender Casting in Contemporary Performance. Fairleigh Dickinson UP, 2008.

5. Chess, Simone. Male-to-female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. Routledge, 2016.

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