Developing Texts for Animated Opera: A Unique Case Study
Author:
Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-030-82234-7_37
Reference27 articles.
1. Apter, R., & Herman, M. (2000). Opera translation: Turning opera back into drama. Translation Review, 59(1), 29–35.
2. Batty, C., O’Meara, R., Taylor, S., Joyce, H., Bourne, P., Maloney, N., Poole, M., & Tofler, M. (2018). Script development as a ‘wicked problem.’ Journal of Screenwriting, 9(2), 153–174.
3. Burton, J. (2009). The art and craft of opera surtitling. In J. Diaz Cintas & G. Anderman (Eds.), Audiovisual translation: Language transfer on screen (pp. 58–70). Palgrave.
4. Chew, G. (2009). The adventures of “The Cunning Little Vixen”: Leoš Janáček, Max Brod and their predecessors. Austrian Studies, 17(Words and Music), 113–132.
5. Child, H. (1921). Some thoughts on opera libretto. Music & Letters, 2(3), 244–253.
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