Performing Disaster and Trauma: A Cross-Cultural Dialogue Between Post-socialist China and Munich in the Age of Globalization-Reference-Cited by-同舟云学术

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Performing Disaster and Trauma: A Cross-Cultural Dialogue Between Post-socialist China and Munich in the Age of Globalization

Published:2023 Issue: Volume: Page:65-79
ISSN:2522-5324
Container-title:Contemporary German–Chinese Cultures in Dialogue
language:
Short-container-title:

Author:

Yee Winnie L. M.

Publisher

Springer International Publishing

Link

https://link.springer.com/content/pdf/10.1007/978-3-031-26779-6_4

Reference25 articles.

1. Ai, W., & Siemons, M. (Eds.). (2009). Ai Weiwei: So sorry. Prestel.

2. Ai, W., & Wash, L. (Eds.). (2013). Weiwei—isms. Princeton University Press.

3. Arnett, K. N. (2016). Dislocating disaster: The problem with Ai Weiwei’s earthquake artworks. Thesis, Whitman College.

4. Bartlett, V. P. (2011). The harmonization of Ai Wei Wei. Yishu: Journal of Contemporary Chinese Art, 10(1), 84–94.

5. Bo, Z. (2012). From Gongren to Gongmin: A comparative analysis of Ai Weiwei’s Sunflower Seeds and Nian. Journal of Visual Art Practice, 11(2–3), 117–133.

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