Introduction

Author:

Axelsson Bodil,Cameron Fiona R.,Hauptman Katherine,Pietrobruno Sheenagh

Abstract

AbstractCuratorial agency is situated in the introduction via an elaboration of the intersection between the mission of public museums to care for collections and their increased reliance on digital capitalism’s social, technical and material infrastructures for the circulation of digitisations, narratives and new research findings. We explain how this book approaches curatorial agency in four individually authored chapters, each taking its own approach to museum knowledge and curatorial agency in regard to the junction of humanistic interpretations and new materialist and posthuman frameworks. Moreover, we explain how each chapter acts as a case study that tracks objects from the Swedish History Museum’s Viking Age collection to distinct technological spheres: Swedish discussion forums, YouTube, Pinterest and the vast infrastructures and destructive processes of Technospheric curation.

Publisher

Springer International Publishing

Reference51 articles.

1. Agostinho, Daniela. 2019. Archival Encounters: Rethinking Access and Care in Digital Colonial Archives. Archival Science 19: 141–165. https://doi.org/10.1007/s10502-019-09312-0.

2. Andersson, Gunnar. 2016. Who Were the Vikings. In We Call Them Vikings, ed. Gunnar Andersson, 13–14. Stockholm: The Swedish History Museum.

3. Axelsson, Bodil. 2019a. Breaking the Frames: The Creation of Digital Curatorial Agency at Swedish Cultural Historical Museums. In Museums as Cultures of Copies: The Crafting of Artefacts and Authenticity, ed. Brita Brenna, Hans Dam Christiansen, and Olaf Hamran, 239–252. London: Routledge.

4. ———. 2019b. Property, Licenses and Labor When Memory Institutions Converge with Informational Capitalism. The Nordic Journal of Cultural Policy 22 (2): 277–294.

5. Birkett, Tom, and Roderick Dale. 2019. The Vikings Reimagined. Reception, Recovery, Engagement. Berlin: Walter de Gruyter.

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