Case Study 2: The Poignant Tensions of Crystal Pite’s Dark Matters (2009): Embodiment, Enaction, and Emotion-Reference-Cited by-同舟云学术

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Case Study 2: The Poignant Tensions of Crystal Pite’s Dark Matters (2009): Embodiment, Enaction, and Emotion

Published:2023-12-03 Issue: Volume: Page:127-174
ISSN:
Container-title:Contemporary Dance Choreography and Spectatorship
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Author:

Piquero Álvarez Lucía

Publisher

Springer International Publishing

Link

https://link.springer.com/content/pdf/10.1007/978-3-031-44962-8_4

Reference46 articles.

1. Arnheim, R. 1974/1954. Art and Visual Perception. A Psychology of the Creative Eye. The New Version. Berkeley, Los Angeles, London: University of California Press.

2. ———. 1982. The Power of the Center. A Study of Composition in the Visual Arts. London: University of California Press.

3. Batson, Q. 2011. Shadows, Puppets, Connections, Mystery. Accessed August 20, 2017. http://www.offoffoff.com/dance/2011/kiddpivotdarkmatters.php.

4. Besterman, T. 1976/1969. Voltaire (3rd ed.). Oxford: Blackwell.

5. Bleeker, M. 2008. Visuality in the Theatre. The Locus of Looking. UK: Palgrave Macmillan.

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