The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz’s El futuro perfecto (2016)-Reference-Cited by-同舟云学术

The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz’s El futuro perfecto (2016)

Published:2023 Issue: Volume: Page:163-181
ISSN:
Container-title:Contemporary Argentine Women Filmmakers
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Author:

Cabello del Moral Pedro,Elvira Mathez Roberto

Publisher

Springer International Publishing

Link

https://link.springer.com/content/pdf/10.1007/978-3-031-32346-1_10

Reference32 articles.

1. Badaró, Máximo. “Introduction: China in Argentina—Ethnographic Perspectives of a Global Expansion.” In China in Argentina: Historical and Cultural Interconnections between Latin America and Asia, edited by Máximo Badaró, 1–18. London: Palgrave Macmillan, 2022.

2. Barriendos, Joaquín. “La colonialidad del ver. Hacia un nuevo diálogo visual interepistémico.” Nómadas 35 (2011): 13–29.

3. Batlle, Diego. “Entrevista a Nele Wohlatz, directora de El futuro perfecto (Competencia Cineasti del Presente).” Otros Cines, August 1, 2016. https://www.otroscines.com/nota?idnota=11188 (accessed September 29, 2022).

4. Beck, Gustavo. “Language As a Rehearsal Space: An Interview with Nele Wohlatz.” MUBI, August 10, 2016. https://mubi.com/notebook/posts/language-as-a-rehearsal-space-an-interview-with-nele-wohlatz?utm_content=buffer09768&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer (accessed September 29, 2022).

5. Benalcázar, Carolina. “Navigating the Liquid Cinema of Argentina’s ‘Las Calles’ by María Aparicio and ‘El Futuro Perfecto’ by Nele Wohlatz.” Another Gaze, October 18, 2018. https://www.anothergaze.com/navigating-liquid-cinema-argentinas-las-calles-maria-aparicio-el-futuro-perfecto-nele-wohlatz/ (accessed September 29, 2022).