The Role of the Audience in Oral Performance

Author:

Akangbe Clement Adeniyi

Publisher

Springer International Publishing

Reference12 articles.

1. Avorgbedor, D. 1990. The Preservation, Transmission and Realization of Song Texts: A Psycho-Musical Approach. In The Oral Performance in Africa, ed. Isidore Okpewho, 208–227. Ibadan: Spectrum Books Limited.

2. Azuonye, C. 1990. Kaalu Igirigiri: an Ohafia Igbo Singer of Tales. In The Oral Performance in Africa, ed. Isidore Okpewho, 42–79. Ibadan: Spectrum Books Limited.

3. Babalọlá, A. 1981. Ìjálá Poetry among the Ọ̀yọ́ –Yorùbá Communities. In Oral Poetry in Nigeria, eds. V. Abaloju, G. Ashinoju, and R. Amadi-Tshiwala 3–17. Lagos, Nigeria Magazine. 3–17.

4. Beier, H.U. 1960. ‘Transition Without Tears’. Encounter 15.

5. Finnegan, R. 1979. Oral Poetry: Its Nature, Significance and Social Context. Cambridge: Cambridge Universities Press.

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