1. Abram, Nicola (2012). Interview with Denise Wong, 1 December, London.
2. Adebayo, Mojisola (2009). ‘The Supernatural Embodied Text: Creating Moj of the Antarctic with the Living and the Dead’, in Susan Broadhurst and Josephine Machon (eds.) Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance. Basingstoke: Palgrave Macmillan, 92–102.
3. Agbabi, Patience, Adeola Agbebiyi, et al. (2003). ‘Voicing Identities, Reframing Difference(s): The Case of Fo(u)r Women’, in Jane De Gay and Lizbeth Goodman (eds.) Languages of Theatre Shaped by Women. Bristol: Intellect, 89–98.
4. Anon. (1992). ‘A real mimefield’, The Voice. Victoria and Albert Museum, London. Records of Temba Theatre Company, Press cuttings about ‘Drowning’ by Black Mime Theatre, THM/77/2/34. Newspaper clipping.
5. Armitstead, Claire (1992). ‘Review of Drowning.’ 22 January. Reprinted in Theatre Record, 12 (2), 113.