Comparing Aspects of Regional and Local Cinema Differentiation through Perceptions of Cinema-going in Post-socialist Bulgaria

Author:

Nedyalkova Maya

Publisher

Springer International Publishing

Reference33 articles.

1. Adamczak, M. (2020). Hard power and film distribution: Transformation of distribution practices in Poland in the era of digital revolution. Studies in Eastern European Cinema, 11(3), 243–261.

2. Anisimovich, A. (2019). Coming to terms with the past: New Bulgarian cinema and the post-communist transition [Doctoral dissertation, Edge Hill University].

3. Biltereyst, D., & Meers, P. (2016). New cinema history and the comparative mode: Reflections on comparing historical cinema cultures. Alphaville: Journal of Film and Screen. Media, 11, 13–32.

4. Biltereyst, D., & Van de Vijver, L. (2016). Cinema in the ‘fog city’: Film exhibition and socio-geography in Flanders. In J. Thissen & Z. Clemens (Eds.), Cinema beyond the city: Small-town & rural film culture in Europe (pp. 223–236). Palgrave–BFI.

5. Bulgarian National Film Center. (2018). Bulgarian cinema 2018: Facts, figures, trends. Retrieved January 21, 2023, from https://www.BulgarianNationalFilmCentre.bg/wp-content/uploads/2018/12/Bulgarian_Cinema_2018-online-2.pdf

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