Eastern Noir and the Borderscapes of Eastern Europe
Author:
Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-031-41808-2_6
Reference46 articles.
1. Batori, Anna. 2018. The Birth of the Post-Socialist Eastern European Televisual Collectivehood: Crime and Patriarchy in Shadows [Umbre, 2014-]. AM Journal of Art and Media Studies 17: 37–48. https://doi.org/10.25038/am.v0i17.268.
2. Bengesser, Cathrin, and Kim Toft Hansen. 2022. Scandinavian Success as European Policy Dilemma: Creative Europe’s Funding for TV Drama Co-Productions, 2014-20. International Journal of Cultural Policy 28 (6): 697–714. https://doi.org/10.1080/10286632.2021.2022653.
3. Clarke, Stewart. 2019. Sky and HBO Strike New Programming Deal. Variety. https://variety.com/2019/tv/news/game-of-thrones-sky-hbo-programming-deal-1203388088/.
4. Czech Film Center. 2016. There Is No Better Place To Lose Everything. Czech Film 34. https://issuu.com/czechfilmcenter/docs/czech_film_magazine_-_fall_2016.
5. DETECt. 2021. Summary of DETECt’s main findings. https://www.detect-project.eu/wp-content/uploads/2022/01/DETECt-Final-Document.pdf.
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