1. Anderson, Susan L., ed. “Issues in Review: Disability in Early Modern Theatre.” Early Theatre 22.2 (2019): 143–198.
2. Anon. A larum for London, or The siedge of Antwerpe With the ventrous actes and valorous deeds of the lame soldier. As it hath beene playde by the right Honorable Lord Chamberlaine his Seruants. London, 1602.
3. Bearden, Elizabeth. Monstrous Kinds: Body, Space, and Narrative in Renaissance Representations of Disability. Ann Arbor: University of Michigan Press, 2019.
4. Beaumont, Francis. The Knight of the Burning Pestle. Edited by Michael Hattaway. The New Mermaids. London: Ernest Benn; New York: Norton, 1969.
5. Berson, Jessica. “Performing Deaf Identity: Toward a Continuum of Deaf Performance.” In Bodies in Commotion: Disability and Performance, edited by Carrie Sandahl and Philip Auslander, 50–52. Ann Arbor: The University of Michigan Press, 2005.