1. Alston, Adam. 2013. Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre. Performance Research 18: 2: 128–138. https://doi.org/10.1080/13528165.2013.807177.
2. Baker, Abigail. 2019. Troy on Display: Scepticism and Wonder at Schliemann’s First Exhibition. London: Bloomsbury.
3. Biggin, Rose. 2017. Immersive Theatre and Audience Experience: Space, Game and Story in the Work of Punchdrunk. Cham: Palgrave Macmillan.
4. Bullen, David. Forthcoming. Experiencing the Sacred in the Theatre of Pentheus: Bad Faith Immersion from the Performance Group to Punchdrunk. In Experiencing Immersion in Antiquity and Modernity: From Narrative to Virtual Reality, ed. Emma Cole. London: Bloomsbury.
5. Carlson, Marvin. 2003. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: University of Michigan Press.