1. Bartel, Heike and Anne Simon, editors. Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century. Routledge, 2017.
2. Berger, Daniel and G. W. Hoffmann. Madam Scholtz als Medea. 1783, British Museum, https://www.britishmuseum.org/collection/object/P_1878-0112-63.
3. Brooks, Helen E. M. “Late Eighteenth-Century Actresses and the ‘Cult of Maternity.’” Stage Mothers: Women, Work, and the Theater, 1660–1830, edited by Laura Engel and Elaine M. McGirr, Bucknell UP, 2014, pp. 19–42.
4. Burnim, Kalman A. and Phillip H. Highfill Jr., editors. John Bell, Patron of British Theatrical Portraiture: A Catalog of the Theatrical Portraits in His Editions of Bell’s Shakespeare and Bell’s British Theatre. South Illinois UP, 1998.
5. Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. U of Michigan P, 2003.