A Pilot-Study of Chinese Wind and String Instrumentalists’ Intonation

Author:

Ng Hsien Han,Chen Jer-Ming

Publisher

Springer International Publishing

Reference26 articles.

1. Applebaum, E.: Perspectives in Music Theory: An Historical-Analytical Approach: By Paul Cooper, Dodd, Mead & Company, New York (1973). 282 pp. Music examples, index. Hard cover, Music Educ. J. 61(1), 124–127 (1974)

2. Chai, C.: The Dizi (Chinese Bamboo Flute) Its Representative Repertoires in the years from 1949 to 1985 (Doctoral dissertation). University of Sydney, Australia (2013)

3. Chiba, G., Ho, M.-J., Sato, S., Kuroyanagi, J., Six, J., Pfordresher, P., Tierney, A., Fujii, S., Savage, P.: Small-integer ratios predominate throughout the world’s musical scales (2019)

4. Duke, R.A.: Wind Instrumentalists’ Intonational Performance of Selected Musical Intervals. J. Res. Music Educ. 33(2), 101 (1985)

5. Elliot, C.A.: Range distribution, timbre, and cent calibration as factors in pitch discrimination capacities. In: Review of M. Rodman, Range distribution, timbre, and cent calibration as factors in pitch discrimination capacities! Council Res. Music Educ. Bull. 75, 59–62 (1983)

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