Introduction: European Film Consumption, Representation, and Identity
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Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-031-44595-8_1
Reference55 articles.
1. Andrews, Eleanor. 2020. Questioning the ‘Normality Drama’: The Representation of Disability in Contemporary European Films. In European Cinema in the Twenty-First Century: Discourses, Directions and Genres, ed. Ingrid Lewis and Laura Canning, 51–68. Basingstoke: Palgrave Macmillan.
2. Archer, Neil. 2015. Paris je t'aime (plus): Europhobia as Europeanness in Luc Besson and Pierre Morel’s Dystopia Trilogy. In The Europeanness of European Cinema: Identity, Meaning, Globalization, ed. Mary Harrod, Mariana Liz and Alissa Timoshkina, 185‒198. London/New York: I. B. Tauris.
3. Balio, Tino. 2013. Hollywood in the New Millennium. London: BFI.
4. BFI. 2011. Opening Our Eyes: How Film Contributes to the Culture of the UK. London: BFI.
5. Biltereyst, Daniel, Richard Maltby, and Philippe Meers. 2019. Introduction: The Scope of New Cinema History. In The Routledge Companion to New Cinema History, ed. Daniel Biltereyst, Richard Maltby, and Philippe Meers, 1–12. London: Routledge.
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