Euro-Million Mainstream Films: Large Audiences, Limited Diversity or Insights
Author:
Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-031-44595-8_3
Reference26 articles.
1. Archer, Neil. 2015. Paris je t'aime (plus): Europhobia as Europeanness in Luc Besson and Pierre Morel’s dystopia trilogy. In The Europeanness of European Cinema: Identity, Meaning, Globalization, eds. Mary Harrod, Mariana Liz and Alissa Timoshkina, 185–198. London/New York: I.B.Tauris.
2. Balio, Tino. 2013. Hollywood in the New Millennium. London: BFI.
3. Barr, Charles. 1974. ‘Projecting Britain and the British Character’: Ealing Studios. Part II. Screen 15 (2): 129–163. https://doi.org/10.1093/screen/15.2.129.
4. Bergfelder, Tim. 2015. Popular European Cinema in the 2000s: Cinephilia, Genre and Heritage. In The Europeanness of European Cinema: Identity, Meaning, Globalization, eds. Mary Harrod, Mariana Liz, and Alissa Timoshkina, 17–32. London/New York: I.B. Tauris.
5. BFI. 2012. Statistical Yearbook 2012. London: BFI.
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