Form, Meaning and Intentionality: The Case of Metaphor in Music
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Publisher
Springer International Publishing
Link
https://link.springer.com/content/pdf/10.1007/978-3-030-90688-7_26
Reference62 articles.
1. Agawu, K. (1991). Playing with signs: A semiotic interpretation of classic music. Princeton University Press.
2. Antović, M. (2009). Musical metaphors in Serbian and Romani children: An empirical study. Metaphor and Symbol, 24(3), 184–202.
3. Antović, M. (2016). From expectation to concepts: Toward multilevel grounding in musical semantics. Cognitive Semiotics, 9(2), 105–138.
4. Antović, M. (2018a). Schemas, grounds, meaning: On the emergence of musical concepts through conceptual blending. Musicae Scientiae, 22(1), 57–71.
5. Antović, M. (2018b). Persuasion in musical multimedia: A Conceptual Blending Theory approach. In J. Pelclova & W. Lu (Eds.), Persuasion in public discourse: Cognitive and functional perspectives (pp. 303–328). John Benjamins.
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