Digital Fabrication and Its Meanings for Photography and Film

Author:

Crippen Matthew

Publisher

Springer International Publishing

Reference23 articles.

1. Alcaraz, Aleksandra Łukaszewicz. 2015. Epistemic Function and Ontology of Analog and Digital Images. Contemporary Aesthetics 13: 1–14.

2. Atencia-Linares, Paloma. 2012. Fiction, Nonfiction, and Deceptive Photographic Representation. Journal of Aesthetics and Art Criticism 70: 19–30.

3. Bazin, André. 1951/1967. Theatre and Cinema—Part Two.  In What is Cinema?, trans. Hugh Gray, 95–124. Berkeley: UC Press.

4. Benovsky, Jiri. 2014. The Limits of Photography. International Journal of Philosophical Studies 22: 716–733.

5. Cameron, Evan. 2004. From Plato to Socrates: Wittgenstein’s Journey on Collingwood’s Map. AE: Canadian Aesthetics Journal 10: 1–30.

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