1. Adorno, T. W. (1997). Negative Dialectics. London: Continuum.
2. Agamben, G. (1999). Remnants of Auschwitz: The Witness and the Archive (D. Heller-Roazen, Trans.). New York: Zone Books.
3. Avisar, I. (1988). Screening the Holocaust: Cinema’s Images of the Unimaginable. Bloomington and Indianapolis: Indiana University Press.
4. Bangert, A., Gordon, R. S. C., & Saxton, L. (2013). Introduction. In Holocaust Intersections: Genocide and Visual Culture at the New Millennium (pp. 1–23). London: Legenda.
5. Barker, J. M. (2009). The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press.