fanSHEN’s Looking for Love: A Case Study in How Theatrical and Performative Practices Inform Interactive Digital Narratives

Author:

Barnard Daniel

Publisher

Springer International Publishing

Reference19 articles.

1. fanSHEN About Page. https://www.fanshen.org.uk/about1/

2. Benford, S., Giannachi, G.: Performing Mixed Reality. The MIT Press, Chigago (2011)

3. deLeon, C., Dohogne, P., Magerko, B.: Employing fuzzy concept for digital improvisational theatre. In: 7th AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment. AAAI Press, Menlo Park, California (2011)

4. Fuller, D., Magerko, B.: Shared mental models in improvisational performance. In: Proceedings of the Intelligent Narrative Technologies III Workshop on - INT3 2010 (2010). https://doi.org/10.1145/1822309.1822324

5. Swift, E.: What do audiences do? negotiating the possible worlds of participatory theatre. J. Contemp. Drama English, 4(1), 134–149. De Gruyter, Berlin (2016). https://doi.org/10.1515/jcde-2016-0011

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