1. Bahrick, L.E., and G. Hollich. 2008. Intermodal Perception. In Encyclopedia of Infant and Early Childhood Development 2, ed. M. Haith and J. Benson, 164–176. Amsterdam and London: Elsevier Ltd. and Academic Press.
2. Banes, Sally. 1994. Dancing [with/to/before/on/in/after/against/away from/without] Music: Vicissitudes of Collaboration in American Postmodern Choreography. In Writing Dancing in the Age of Postmodernism, 310–326. Hannover and London: Wesleyan University Press.
3. Becking, Gustav. 1928. Der musikalische Rhythmus als Erkenntnisquelle. Augsburg: Benno Filser.
4. Bellow, Juliet. 2012. Dance in Debussy’s Paris: Re-figuring Art and Music. In Debussy’s Paris: Art, Music and the Sounds of the City, ed. Linda Muehlig, 46–61. Northampton, MA: Smith College Museum of Art.
5. Berlyne, D.E. 1970. Novelty, Complexity, and Hedonic Value. Perception & Psychophysics 8 (5): 279–286.