Gloaming: Dimming and Visions

Author:

Vass Freya

Publisher

Springer International Publishing

Reference31 articles.

1. Abulafia, Yaron. 2016. The Art of Light Onstage: Lighting in Contemporary Theatre. London/New York: Routledge.

2. Arnaudde, G. 2014. Black Brown & White Fascinating Limb’s Theorem—William Forsythe, Theatre du Chatelet, Paris. Accessed 31 December 2014. https://www.scoop.it/topic/culture-and-lifestyle/p/4027608979/2014/09/07/black-brown-white-fascinating-limb-s-theorem-william-forsythe-theatre-du-chatelet-paris

3. Baron, R.A., M.S. Rea, and S.G. Daniels. 1992. Effects of Indoor Lighting (Illuminance and Spectral Distribution) on the Performance of Cognitive Tasks and Interpersonal Behaviors: The Potential Mediating Role of Positive Affect. Motivation and Emotion 16 (1): 1–33.

4. Ben-Itzak, P. 2002, March 29. Art in Fact: William Forsythe’s Sounds of Science. The Dance Insider. Accessed 8 April 2003. http://www.danceinsider.com/f2002/f0329_2.html

5. Bille, M., P. Bjerregaard, and T.F. Sørensen. 2015. Staging Atmospheres: Materiality, Culture, and the Texture of the In-between. Emotion, space and society 15: 31–38.

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