How Do Saxophonists Communicate Through Bodily Behavior? A Contribution to Embodied Performance Pedagogies

Author:

Moura NádiaORCID,Vilas-Boas João PauloORCID,Serra SofiaORCID

Publisher

Springer International Publishing

Reference56 articles.

1. Leman, M.: Embodied Music Cognition and Mediation Technology. The MIT Press, Cambridge (2007)

2. Leman, M.: The Expressive Moment: How Interaction (with Music) Shapes Human Empowerment. MIT Press, Cambridge (2016)

3. Varela, F.J., Thompson, E., Rosch, E.: The Embodied Mind: Cognitive Science and Human Experience (Revised Edition). The MIT Press, Cambridge (2016)

4. Tanaka, S.: Mirror neuron activity during audiovisual appreciation of opera performance. Front. Psychol. 11(January), 1–9 (2021). https://doi.org/10.3389/fpsyg.2020.563031

5. Bowman, W.: A somatic, “here and now” semantic: music, body, and self. Bull. Council Res. Music Educ. Spring 144, 45–60 (2000). https://www.jstor.org/stable/40375344

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