Publisher
Springer International Publishing
Reference11 articles.
1. Boenisch, Peter M. “Other People Live: Rimini Protokoll and Their ‘Theatre of Experts’ (Helgard Haug, (Daniel Wetzel, Stefan Kaegi).” Contemporary Theatre Review, vol. 18, no. 1, 2008, pp. 107–13.
2. Eeacho, Douglas. “Serial Nostalgia: Rimini Protokoll’s 100% City and the Numbers We No Longer Are.” Theatre Research International, vol. 43, no. 2, July 2018, pp. 185–200, https://doi.org/10.1017/S0307883318000299.
3. Fragkou, Marissia, and Philip Hager. “Staging London: Participation and Citizenship on the Way to the 2012 Olympic Games.” Contemporary Theatre Review, vol. 23, no. 4, Nov. 2013, pp. 532–41, https://doi.org/10.1080/10486801.2013.839172.
4. Hauthal, Janine. “Multilingual Expression and Postnational Frames in 100% Brussels and Isabella’s Room.” Modern Drama, vol. 61, no. 3, Sept. 2018, pp. 271–300, https://doi.org/10.3138/md.61.3.s0922.4.
5. Jepsen Bakken, Julie, et al. “Introduction: Sign Languages, with an Emphasis on Languages.” Sign Languages of the World: A Comparative Handbook, edited by Julie Jepsen Bakken et al., De Gruyter, 2015, pp. 1–20.