The Limbo: Liminal Loci and Timeless Travels

Author:

Angelaki Vicky

Abstract

AbstractThe chapter takes on subjective times and time travel, as well as the ways in which these reveal fledgling consciousnesses that strive to take hold against the dominant transgressive capitalist consumption context that the characters find themselves inhabiting, and which promotes an exclusionary temporal linearity. The revisiting and occasional slowing down of time provides a window for intervention, disruption, re-routing and re-rooting towards a re-evaluation and re-positioning, and a re-inscription of the personal, socio-political and scientific/cosmic narrative. The case studies are E V Crowe’s The Sewing Group (2016), Chris Bush’s "Image missing" the End of the World (2021) and Alistair McDowall’s The Glow (2022).

Publisher

Springer International Publishing

Reference24 articles.

1. Adrians, Frauke. 2021. “(Kein) Weltuntergang—Schaubühne Berlin: Vom Eisbären verzehrt.” Nachtkritik, September 4. https://nachtkritik.de/index.php?option=com_content&view=article&id=19905:kein-weltuntergang-schaubuehne-berlin-katie-mitchell-inszeniert-chris-bushs-neues-stueck-konsequent-nachhaltig&catid=38&Itemid=40.

2. Billington, Michael. 2016. “The Sewing Group Review—Power Struggles of the Quilt Makers.” The Guardian, November 17. https://www.theguardian.com/stage/2016/nov/17/the-sewing-group-review-royal-court-london.

3. Bush, Chris. 2021. the word not with a strikethrough, the End of the World forward slash, the word Kein with a strikethrough, Weltuntergang. Berlin: Schaubühne Berlin.

4. Clapp, Susannah. 2016. “The Sewing Group Review—Stitches in Time.” The Guardian, November 20. https://www.theguardian.com/stage/2016/nov/20/sewing-group-ev-crowe-royal-court-review.

5. Crowe, E V. 2016. The Sewing Group. London: Faber and Faber. Drama Online. Accessed December 19, 2021. https://doi.org/10.5040/9780571341924.00000004. Access provided by Vicky Angelaki.

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